Creative Curating? Displaying Installation Art: American Society for Aesthetics Annual Meeting (Washington DC/Online due to Covid-19, November)

Photographic Phenomenology in the Digital Age: Uppsala University Aesthetics Seminar (Online, July)

Look a Little (Chuck) Closer: Aesthetic Attention and the Contact Phenomenon: Art and Mind (Cambridge, March)

Computer Says No? Intentionality, Automaticity and Art-Making: Beyond Human, The Aesthetics of Nature and Technology (Kent, February)

Creatively Constrained? Negotiating Disability in Visual Art Production: Art, Aesthetics and the Medical/Health Humanities (Kent, February)


Photography and the Contact Phenomenon: British Society of Aesthetics Annual Conference (Oxford, September)

Photography, Digital Technology, and Hybrid Art Forms: European Society for Aesthetics Annual Conference (Warsaw, June)

Creative Agency and Co-Working in Art and Science: BSA Connections Pre-Conference Workshop (Bristol, April)

Automatic Image-Making Processes and Creativity in Art Production: Dubrovnik Philosophy of Art Conference (Dubrovnik, April)


Hybrid Art Forms and Digital Photography: American Society for Aesthetics Annual Meeting (Toronto, October)

Creativity and Co-Working in Artistic Practice: Creativity in Art, Mind, and Science Conference (Cambridge, July)

The Epistemic Value of Photographs in the Age of New Theory: ESA Annual Conference (Maribor, May)

Is Artistic Agency Affected by Automaticity?: ASA Pacific Division Meeting (Pacific Grove, April)

Seeing Through Walton’s Jolt: Philosophy In Progress Conference (Nottingham, January)


Appreciating Hybrid Forms of Photography: BSA Annual Conference (Oxford, September)

Does a Mechanistic Etiology Reduce Artistic Agency?:10th Annual UAPA Graduate Conference (Albany, April) and ESA Annual Conference (Berlin, May)


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